Saturday 18 January 2014

"Gay marriages are to blame for UK floods" says UKIP Councillor



A UKIP councillor has blamed the recent storms and heavy floods across Britain on the Government's decision to legalise gay marriage.
David Silvester said the Prime Minister had acted "arrogantly against the Gospel".
In a letter to his local paper he said he had warned David Cameron the legislation would result in "disaster".
UKIP said Mr Silvester's views were "not the party's belief" but defended his right to state his opinions.
Divine retribution
Mr Silvester, from Henley-on-Thames in Oxfordshire, defected from the Tories in protest at David Cameron's support for same-sex unions.
In the letter to the Henley Standard he wrote: "The scriptures make it abundantly clear that a Christian nation that abandons its faith and acts contrary to the Gospel (and in naked breach of a coronation oath) will be beset by natural disasters such as storms, disease, pestilence and war."
He added: "I wrote to David Cameron in April 2012 to warn him that disasters would accompany the passage of his same-sex marriage bill.
"But he went ahead despite a 600,000-signature petition by concerned Christians and more than half of his own parliamentary party saying that he should not do so."
He then went to on blame the Prime Minister for the bad weather:
"It is his fault that large swathes of the nation have been afflicted by storms and floods."
He went on to say that no man, however powerful "can mess with Almighty God with impunity and get away with it".
A UKIP spokeswoman said: "It is quite evident that this is not the party's belief but the councillor's own and he is more than entitled to express independent thought despite whether or not other people may deem it standard or correct."

PS: This reminds me of an Iranian Imam claiming in public a couple of years ago that earthquakes in Iran are caused by too vigorous and excited copulation due to females not covering up their shape in public thus causing much sexual excitement.


Beware of the Bitcoin Mania



The true identity of the inventor of Bitcoin remains the subject of speculation among aficionados of the virtual currency. But one thing we know for sure is that Satoshi Nakamoto is an extremely clever person. Not only did he or she devise the unalterable algorithm that mints the currency automatically – an impressive feat of technological prowess. Nakamoto also understood something fundamental about money. Holding and using it involves a leap of faith.

Nonetheless, Nakamoto missed a crucial point. A good currency must hold its value over long periods. It must also be readily exchangeable for the goods and services that people actually want. Combining those two functions in a single instrument requires a delicate balance. If issuance is too tight, there is not enough money moving around to meet the payment needs of the economy. This can lead to deflation and recession. Yet if too much money is issued the result will be inflation, which erodes the currency’s value. This is the dilemma that “private money”, the creation of banks rather than government authorities, has never been able to solve. Nor have money regimes based on commodities, such as the gold standard.

To solve this problem, many countries have created independent central banks. The quantity of money that society needs changes constantly because of fluctuations in economic and financial activity. Human judgment is required to make sure that, when the economy grows, an adequate supply of money is maintained. But, crucially, central bankers have to be made independent. This guards against excessive expansions in the money supply – a permanent temptation in all political systems because it spreads economic cheer, but one that over time erodes the value of money.

Nakamoto thought he could solve the dilemma in a different way, with an inflexible rule. This could work, if the rule were a good one. Milton Friedman had a simple suggestion, arguing that the money supply should expand at a constant rate. That is a proposal on which someone of Nakamoto’s intellectual agility could no doubt have improved – for example, by increasing the rate of issuance as Bitcoin gained wider currency, or somehow making it sensitive to changing economic conditions. That could have given Bitcoin a chance of success.

But Nakamoto chose a different rule. The stock of Bitcoins – which currently stands at roughly 12m – will grow at a predetermined and gradually decreasing rate. Once there are 21m of the electronic tokens, new production will cease altogether.

This is a fatal mistake for two reasons. First, over the next century and a quarter, the supply of Bitcoins will increase on average by 0.6 per cent a year. If the Bitcoin economy grows faster than this, the currency will grow scarce and the prices of goods expressed in it will fall. Second, the supply of Bitcoins will expand more slowly than that of physical currencies. Other things being equal, its exchange rate will appreciate significantly.

This may be one reason why investors have pushed the price of Bitcoin to dizzying highs, with the result that it has become valuable even before it had the chance to establish itself as a means of payment. With real-world currencies such as sterling and the dollar it was the other way around: the currency became valuable because it was widely used as means of exchange.
Paradoxically, this rapid increase in the value of Bitcoin makes it unsuitable as a means of exchange. Someone who expects the currency to be worth more tomorrow will be unwilling to spend it today. And, if few people are spending Bitcoins, there is little incentive to accept them. There are no statistics available but one suspects that very few purchases of real goods are settled in Bitcoins.

The currency is at present attractive for two reasons. One is anonymity, which makes it suitable for tax evasion and money laundering. This will not last; authorities are already wising up. The other is pure speculation. Bitcoins are the tulips of modern times. The mania is not yet over. But the longer it lasts, the more investors are likely to be burnt.

The writer is professor of economics at SciencesPo and a former deputy governor of the Banque de France

31-year old nun unaware of being pregnant

A nun who gave birth to a baby boy in the central Italian city of Rieti, said she had no idea she was pregnant, local media report.
The 31-year-old was rushed to hospital with abdominal pains, which she thought were stomach cramps.
The young mother, who is originally from El Salvador, reportedly named her newborn Francis after the current Pope.
The mayor of Rieti, Simone Petrangeli has appealed to the public and media to respect the woman's privacy.
The news has drawn international attention to the small city of 47,700 inhabitants.
The nun called the ambulance on Wednesday morning. A few hours later she gave birth to a healthy baby boy.
"I did not know I was pregnant. I only felt a stomach pain," she was quoted as saying by the Ansa news agency.
People at the hospital have begun collecting clothes and donations for the mother and her child, Italian media say.
The woman belongs to a convent near Rieti, which manages an old people's home.
Fellow nuns at the convent said they were "surprised" by the news.
Local pastor Don Fabrizio Borrello told journalists that the nun planned to take care of the baby.
"I guess she's telling the truth when she says she arrived at the hospital unaware of the pregnancy."


Friday 17 January 2014

Madness, total madness!

A man lay dying at home waiting for paramedics as an ambulance waited outside a hospital for nearly five hours to drop off a patient, an inquest has heard.
Despite a fully-staffed ambulance service Fred Pring, 74, from Mynydd Isa, Flintshire, died 42 minutes after his wife, Joyce, had first called 999.
Mrs Pring wants the ambulance service to review its policies on 999 calls.
The coroner John Gittins will present his conclusions on Monday.
The inquest in Ruthin heard that Mr Pring, who had been receiving treatment for chronic obstructive pulmonary disease, had been categorised as a lower priority by the ambulance service.
On Friday, Gill Pleming of the Welsh Ambulance Service said on the day Mr Pring died in March 2013 there were seven ambulances and one rapid response vehicle to cover Flintshire and Wrexham.
But, she said, at the time of Mrs Pring's first call there were no ambulances available.
Coroner John Gittins asked: "Presumably the caller isn't told that? They're not told 'Sorry, we haven't got one available'?"
Miss Pleming replied: "No."
The court was told one ambulance had spent nearly five hours (287 minutes) waiting at Wrexham Maelor Hospital to drop off a patient.
Another ambulance had been at the same hospital for more than an hour and a half.
"In a nutshell, six vehicles waiting to transfer patients into Wrexham Maelor Hospital, three waiting to transfer patients into Glan Clwyd - all experiencing delays significantly beyond the 15 minute target handover," the coroner said.
'Red two'
Mr Pring's case had been classified by the ambulance service as 'red two', which is a lower priority than 'red one' which means an immediate threat to life, but Miss Pleming said the aim was to arrive within eight minutes for either classification.
Mr Gittins asked whether the call would be upgraded to a higher priority if there was a delay in sending an ambulance.
"No," Miss Pleming replied.
Mr Gittins said: "The truth of the system is that members of the public could cause chaos - if you want to get an ambulance there, you just tell them that he's dead."
Earlier a Home Office pathologist said it was extremely difficult to answer whether Mr Pring's life would have been saved if an ambulance had arrived sooner.
Dr Brian Rogers said the cause of death was heart disease and chronic lung disease.
The chief executive of the Welsh Ambulance Service, Elwyn Price Morris, told the hearing it was not unusual for the ambulance service and the NHS to experience severe pressure such as happened on the night Mr Pring died.
He added it did not happen on a daily basis, but hinted there might have been similar incidents in the past and that there was no easy solution to ambulances being stuck outside hospitals.
Matthew Makin, medical director of the Betsi Cadwaladr University Health Board, said the health board and ambulance service had been working together at the time of Mr Pring's death to try to minimise the amount of time ambulances spent waiting outside hospitals.
Mr Pring's cardiologist told the hearing on Thursday if the ambulance had arrived after the first 999 call he would have survived.
The consultant told the coroner he would have expected the ambulance to have arrived in six minutes.
In a statement issued outside the hearing through her solicitor, Mrs Pring said she believed the ambulance service needed to review its policies in view of what had happened to her husband.
"[It should] review the questions asked by the 999 operators, perhaps using a flowchart so that a person is never asked again if their relative is breathing when they have been told that the person has died," she said.
The statement also called for the ambulance service to review its policy of sending two ambulances to a 'red one' call.
~  ~  ~
Madness, total madness ! Heads should role. Those responsible should be charged with being accessories to murder.

Portrait of Catrin of Berain - A Nazi mystery










Mystery of the Nazi and the portrait of a Welsh lady


The subject of the painting is Catrin of Berain - or Katheryn to her English friends. For centuries the portrait hung in family homes near Denbigh in North Wales but somehow it was acquired by the Nazis.
She seems the gentlest of gentlewomen as she stands reflectively. Her skin is pale against the blackness of her dress. She holds a prayer book, indicating devout learning. Her other hand rests easily on a skull - the reminder of death. She exudes nobility.
The story of how the painting went from Wales to Berlin and then back to the National Museum of Wales has been pieced together by experts keen to establish that there are no legitimate counter-claims to its ownership. Controversy invariably surrounds works of art accrued by the Nazis so the curators in Cardiff have made doubly sure that the portrait of a Welsh gentlewoman has a clean past.
After all, there are currently fierce legal disputes over a collection of paintings discovered hidden in Munich, and over priceless artefacts from the medieval church - bought by the German state from Jewish art dealers in the 30s when the Nazis were in power - and now on display in a museum in Berlin.
Looking at Catrin's life story, it's difficult to see why exactly a top Nazi might take an interest in her.
According to Helen Williams-Ellis, who is writing a biography of Catrin, the noblewoman was born in 1540 in Berain near Denbigh in north-east Wales.
Catrin's father was a land-owner, Tudur ap Robert, with a substantial 3,000 acres. At the age of 22, Catrin married one John Salusbury, the son of a neighbouring land owner. Money married money to keep money in the family.
After nine years of marriage and two children, Catrin's first husband died. Williams-Ellis told the BBC that afterwards Catrin married another rich man, Sir Richard Clough, again, according to Helen Williams-Ellis, to keep money in the family.
Goering with HitlerGoering was Hitler's deputy
Clough, known by the Welsh as Rhisiart Clwch, was a merchant who divided his time between north Wales, London - where he was one of the founders of the Stock Exchange - and Antwerp. In what seems like a Welsh cliche, Clough had not been born to immense wealth but was noticed for his fine singing voice in the choir of Chester Cathedral and despatched to court in London. That opened the way to riches.
In Antwerp, Catrin had her portrait painted and the picture was hung for more than two centuries in family homes in north Wales.
In 1938, the owners decided, for reasons that haven't been established, to sell the picture and contacted a dealer in London. It was offered to the National Museum of Wales but, somehow, the sale failed to happen.


    The London dealer had connections with the art market in Amsterdam and in November, 1940 the painting was bought by Walter Andreas Hofer, the adviser on art to Hermann Goering.
    It seems incongruous that the founder of the Gestapo should be an art collector but he was building up a collection to aggrandise the Reich.
    In 1945, with the Reich in ruins a mere 12 years into its existence, the portrait was rediscovered by the victorious Allies and documented. Special units, soon to be depicted in the movie The Monuments Men, rescued works and then traced their route to the Nazi collection - the circumstances in which they were acquired, who originally owned them.
    In the case of the portrait of Catrin, they tracked down the Dutch dealer who originally had sold it and returned the painting to him. It is for this reason that the National Museum of Wales is confident there can be no dispute over ownership. The man who sold it got his work back.
    Why did the Nazis want the painting of a Welsh noblewoman? Oliver Fairclough, the Keeper of Art at the National Museum of Wales, said the Nazis accrued works to aggrandise themselves and their regime.
    "A lot of it was 'art as power and status'," Fairclough says. They wanted to display the best of traditional art.
    Area around Denbigh 1885Area around Denbigh 1885
    It seems the regime wanted the picture because it was a Flemish masterwork rather than for its subject. It was probably painted by Adriaen van Cronenburgh who produced portraits of merchants in the commercial hub that was 16th Century Antwerp.
    Nonetheless, Fairclough is intrigued by what he calls a "fascinating" picture.
    "She is very well dressed," he says. "She's wearing black which was a very expensive cloth because it had to be dyed. There's a gold chain around her neck and pearls in her head dress".
    Despite the seriousness of the portrait, there is a scintilla of a hint of a smile if you want to see one. It is nice to imagine that she was not straight-laced. In all, she married four times and had six children by three husbands.
    Williams-Ellis wonders if she is pregnant in the picture because rich women of the era occasionally had their portraits painted before childbirth, which increased the family's consciousness of mortality.
    Catrin divided her life between the deep countryside of north Wales and the hubs of the new commercial world, Antwerp and London. It must have been a whirlwind of change as she moved between Denbighshire and these two bustling centres.
    Six years into their marriage, Sir Richard Clough died in Hamburg at the age of 40 - the second husband Catrin had lost. There is a theory that he was poisoned as a suspected spy for Queen Elizabeth I - Catrin's world was not boring and ordinary.
    Antwerp 16th CenturyFor a time, Antwerp was Catrin's home
    She then looked back to Wales and to property for her third husband, Maurice Wynn of Gwydir, the High Sheriff for Caernarfonshire. The cynical view - and also the view of Catrin's present-day fan, Williams-Ellis - is that marriage was, at least partly, about financial considerations. Catrin had another two children with her third husband. And then, he, too, died.
    So she married a fourth husband, who, finally, survived her.
    After her death, 13 elegies were written in praise of her - eight in Welsh, two in Latin and three in English.
    What about the man who had bought the portrait for Goering? Walter Andreas Hofer was "Director of the Reichsmarschall's Art Collection" from 1939 to 1944. After the war, a French military tribunal sentenced him in absentia to ten years in prison.
    Somehow, though, he never served that sentence and continued to work undisturbed as an art dealer in Munich, dying in an obscurity he no doubt welcomed in the early 70s.
    And what about the mysterious Catrin? It would be nice to think that she shudders from beyond the grave at the very thought of monstrous Goering once gazing on her kindly image.

    Wednesday 15 January 2014

    Chicken a la Basque with peppers

    This dish started life as 'Chicken a la Basque' but over time I have altered it in so many ways that now it would probably be an insult to the Basques to call it that. I now call it 'Chicken a la SGK'. Basically it is a chicken and peppers stew with the usual and expected extras: olive oil, onions, garlic, a tomato (optional), paprika (the hotter the better), a potato or two (optional), half a bottle of your favourite wine (red or white) and, in the absence of chicken stock, a couple of chicken stock cubes.

    I hate measuring things out when cooking. Consequently my dishes always taste slightly different from the last time. 

    There is very little time needed for preparing the the dish. I diced two small onions (didn't have a large one) and 3 cloves of garlic. Washed the peppers and cut them into 2 x 3 cm strips. Peeled 2 small potatoes and cut them into 3 x 3 cm cubes, blanched and peeled a small tomato. The chicken breast, about 140gr, I diced into small bite-size pieces about 2-3 cm square.

    I heated 4 tbsp of olive oil in a pan and when hot added the onions, garlic and chicken, stirring constantly for a couple of minutes until the chicken lost its pink colour and the onions turned transparent. Next, I sprinkled 3 tsp of paprika into the dish, and stirred things to coat the chicken pieces well with the paprika. 

    Then I dissolved the chicken cubes in pint and quarter of boiling water and poured it into the pan, stired, and added the peppers, tomato and potatoes, gave it all a good stir again and allowed the dish to simmer until the meat was cooked - about 15-20 minutes.

    You can be as creative with this dish as you fancy. For example, while the dish simmers you could boil a small cup of rice in a separate pan and use that instead of potatoes, or hard-boil an egg, quarter it, and serve it on top of the dish as garnish. 

    And the wine? Drink it at intervals while cooking!


    TIPS: 
    Do not add salt if you are using stock cubes; cubes tend to be salty. 
    Add less water if you want the dish to be less soupy.
    Use onions and garlic according to taste.
    But DO NOT skimp on paprika. It's what gives the dish its unique flavour.

















    Saturn





    This image of Saturn and its rings was taken from deep space by the Cassini probe. If you have good eyesight and look carefully you will see a tiny, tiny pin-prick size dot in lower left, off centre. That's Planet Earth.











    Tuesday 14 January 2014

    Land without women

    Poster by Paul Colin
    A 1929 German film with the title "Das Land Ohne Frauen," with Conrad Veidt in the title role, was released the following year to audiences also in French, American and British cinemas, with the following titles respectively: "Terre sans femmes," "Bride 68," and "Land without women".

    The plot was rather ingenious for its time. Conrad Veidt plays an Australian gold town's telegrapher who is among the 413 men who have ordered a bride from England. The shipload of women arrives, but, alas, the one intended for Veidt had died on the voyage and he is left without a bride. He promptly falls in love with No. 68, the one next to his intended bride, who was to have gotten a dirty gold prospector whom she despises.

    The telegrapher gets the message that the prospector is in trouble in the desert. He has found gold but is out of water and needs urgent help. Veidt does not relay the message but sets out for the indicated place himself, hoping the prospector will be dead and the gold - and number 68 - his. But, cruel fate, it is Veidt who dies and the prospector who survives.

    And No. 68? She has ran off with a doctor! Ah, women!








    Roman Writers



    CATULLUS (Gaius Valerius Catullus: c.84-54 BC) Lyric poetry; Ave atque vale.

    Catullus appears to have spent most of his young adult years in Rome. His friends there included the poets Licinius Calvus, and Helvius Cinna, Quintus Hortensius (son of the orator and rival of Cicero) and the biographer Cornelius Nepos, to whom Catullus dedicated a libellus of poems, the relation of which to the extant collection remains a matter of debate.He appears to have been acquainted with the poet Marcus Furius Bibaculus. A number of prominent contemporaries appear in his poetry, including Cicero, Caesar and Pompey
    There survives no ancient biography of Catullus: his life has to be pieced together from scattered references to him in other ancient authors and from his poems. Thus it is uncertain when he was born and when he died.

    CICERO (Marcus Tullius Cicero: 106-43 BC) Pro Caelio; De Legibus; the Tusculan Disputations; De Officiis; Philippics.
    Cicero was a Roman philosopher, politician,lawyer, orator, political theorist, consul and constitutionalist. He is widely considered one of Rome's greatest orators and prose stylists.
    His influence on the Latin language was so immense that the subsequent history of prose in not only Latin but European languages up to the 19th century was said to be either a reaction against or a return to his style. Cicero introduced the Romans to the chief schools of Greek philosophy and created a Latin philosophical vocabulary (with neologisms such ashumanitasqualitasquantitas, and essentia distinguishing himself as a linguist, translator, and philosopher.
    Though he was an accomplished orator and successful lawyer, Cicero believed his political career was his most important achievement. It was during his consulship that the Second Catilinarian Conspiracy attempted the government overthrow through an attack on the city from outside forces, and Cicero suppressed the revolt by executing five conspirators without due process. During the chaotic latter half of the 1st century BC marked by civil wars and the dictatorship of Gaius Julius Caesar, Cicero championed a return to the traditional republican government. Following Julius Caesar's death Cicero became an enemy of Mark Antony in the ensuing power struggle, attacking him in a series of speeches. He was proscribed as an enemy of the state by the Second Triumvirate and consequently killed in 43 BC.

    ENNIUS (Quintus Ennius: c. 239-169 BC) Annales . 
    Ennius was a writer during the period of the Roman Republic. He is considered the father of Roman poetry. Although only fragments of his works survive, his influence in Latin literature was significant, particularly in his use of Greek literary models.

    HORACE (Quintus Horatius Flaccus: 65 BC-8 BC) Satires; Odes; Epistles.
    Horace was the leading Roman lyric poet during the time of Augustus. The rhetorician Quintillian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."
    His career coincided with Rome's momentous change from Republic to Empire. An officer in the republican army defeated at the Battle of Philippi in 42 BC, he was befriended by Octavian's right-hand man in civil affairs, Maecenas, and became a spokesman for the new regime. For some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep") ]but for others he was, in John Dryden's phrase, "a well-mannered court slave".

    JULIUS CAESAR (Gaius Iulius Caesar: 100-44 BC) Bellum Gallicum; Bellum Civile.
    Julius Caesar was a Roman general, statesman, Consul, and notable author o Latin prose. He played a critical role in the events that led to the demise of the Roman Republic and the rise of the Roman Empire. In 60 BC, Caesar, Crassus, and Pompey formed a political alliance that was to dominate Roman politics for several years. Their attempts to a mass power through populist tactics were opposed by the conservative ruling class within the Roman Senate, among them Cato the Younger with the frequent support of Cicero. Caesar's conquest of Gaul, completed by 51 BC, extended Rome's territory to the English Channel and the Rhine. Caesar became the first Roman general to cross both when he built a bridge across the Rhine and conducted the first invasion of Britain.
    These achievements granted him unmatched military power and threatened to eclipse the standing of Pompey, who had realigned himself with the Senate after the death of Crassus in 53 BC. With the Gallic Wars concluded, the Senate ordered Caesar to lay down his military command and return to Rome. Caesar refused, and marked his defiance in 49 BC by crossing the River Rubicon with a legion, leaving his province and illegally entering Roman territory under arms. Civil war resulted, from which he emerged as the unrivaled leader of Rome.
    After assuming control of government, Caesar began a program of social and governmental reforms, including the creation of the Julian calendar. He centralised the bureaucracy of the Republic and was eventually proclaimed "dictator in perpetuity". But the underlying political conflicts had not been resolved, and on the Ides of March (15 March) 44 BC, Caesar was assassinated by a group of senators led by Marcus Junius Brutus. A new series of civil wars broke out, and the constitutional government of the Republic was never restored. Caesar's adopted heir Octavian, later known as Augustus, rose to sole power, and the era of the Roman Empire began.
    Much of Caesar's life is known from his own accounts of his military campaigns, and from other contemporary sources, mainly the letters and speeches of Cicero and the historical writings of Sallust. The later biographies of Caesar by Suetonius and Plutarch are also major sources. Caesar is deemed to be one of the greatest military commanders in history.

    JUVENAL (Decimus Iunius Iuvenalis) Satires.
    Juvenal was a Roman poet active in the late 1st and early 2nd century AD, author of the Satires. The details of the author's life are unclear, although references within his text to known persons of the late 1st and early 2nd centuries AD fix his terminus post quem (earliest date of composition).
    In accord with the manner of Lucilius—the originator of the genre of Roman satire—and within a poetic tradition that also included Horace and Persius, Juvenal wrote at least 16 poems in dactylic hexameter covering an encyclopedic range of topics across the Roman world. While the Satires are a vital source for the study of ancient Rome from a vast number of perspectives, their hyperbolic, comic mode of expression makes the use of statements found within them as simple fact problematic. At first glance the Satires could be read as a critique of pagan Rome, perhaps ensuring their survival in Christian monastic scriptoria, a bottleneck in preservation when the large majority of ancient texts were lost.

    LIVY (Titus Livius: 59 BC - 17 AD) Ab Urbe Condita Libri.
    Livy was a Roman historian who wrote a monumental history of Rome and the Roman people. Ab Urbe Condita Libri, "Books from the Foundation of the City," covering the period from the earliest legends of Rome well before the traditional foundation in 753 BC through the reign of Augustusin Livy's own time. He was on familiar terms with the Julio-Claudian family, advising Augustus's grandnephew, the future emperor Claudius, as a young man not long before 14 AD in a letter to take up the writing of history.


    LUCRETIUS (Titus Lucretius Carus: c. 99 - c. 55 BC) De rerum natura. 
    Lucretius was a Roman poet and philosopher. His only known work is the epic philosophical poem De rerum natura about the beliefs of Epicureanism, which is translated into English as On the Nature of Things or "On the Nature of the Universe".
    Virtually nothing is known about the life of Lucretius. Jerome tells how he was driven mad by a love potion and wrote his poetry between fits of insanity, eventually committing suicide in middle age. However, modern scholarship suggests this account was probably an invention The De rerum natura was a considerable influence on the Augustan poets, particularly Virgil and Horace. It virtually disappeared during the Middle Ages, but was rediscovered in a monastery in Germany in 1417, by Poggio Bracciolini.

    MARTIAL (Marcus Valerius Martialis: 40-104 AD) Epigrams.
    Martial was a Roman poet from Hispania (the Iberian Peninsula) best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian,Nerva and Trajan. In these short, witty poems he cheerfullysatirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing. He wrote a total of 1,561 epigrams, of which 1,235 are elegiac couplets. He is considered to be the creator of the modern epigram.

    OVID (Publius Ovidius Naso: 43 BC -17/18 AD) Heroides; Amores; Ars Amatoria; Metamorphoses; Tristia; Fasti.
    Ovid is best known for the Metamorphoses, a 15-book continuous mythological narrative written in the meter of epic, and for collections of love poetry in elegiac couplets, especially the Amores ("Love Affairs") and Ars Amatoria("Art of Love"). His poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influencedWestern art and literature. The Metamorphoses remains one of the most important sources of classical mythology.
    Ovid is traditionally ranked alongside Virgil and Horace, his older contemporaries, as one of the three canonic poets ofLatin literature. He was the first major Roman poet to begin his career during the reign of Augustus. The Imperial scholar Quintilian considered him the last of the Latin love elegists. He enjoyed enormous popularity, but in one of the mysteries of literary history he was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, "a poem and a mistake", but his discretion in discussing the causes has resulted in much speculation among scholars.
    Ovid's prolific poetry includes the Heroides, a collection of verse epistles written as by mythological heroines to the lovers who abandoned them; the Fasti, an incomplete six-book exploration of Roman religion with a calendar structure; and the Tristia and Epistulae ex Ponto, two collections of elegies in the form of complaining letters from his exile. His shorter works include the Remedia Amoris ("Cure for Love"), the curse-poem Ibis, and an advice poem on women's cosmetics. He wrote a lost tragedy, Medea, and mentions that some of his other works were adapted for staged performance.

    PLAUTUS (Titus Maccus or Maccius Plautus: 254-184 BC) Amphitruo; Aulularia; Menaechmi; Miles Gloriosus.
    Plautus was a Roman playwright of the Old Latin period. His comedies are the earliest surviving intact works in Latin literature. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus


    PLINY (Gaius Plinius Caecilius Secundus: 61 - c.112 AD) Letters.
    Gaius Plinius Caecilius Secundus,better known as Pliny the Younger, was a lawyer, author, and magistrate o f Ancient Rome. Pliny's uncle, Pliny the Elder, helped raise and educate him. They were both witnesses to the eruption ofVesuvius on August 24, 79 AD.
    Pliny wrote hundreds of letters, many of which still survive, that are regarded as a historical source for the time period. Some are addressed to reigning emperors or to notables such as the historian Tacitus. Pliny served as an imperial magistrate under Trajan and his letters to Trajan provide one of the only records we have of the relationship between the imperial office and provincial governors.
    Pliny was considered an honest and moderate man, consistent in his pursuit of suspected Christian members according to Roman law. He rose through a series of Imperial civil and military offices, the cursus honorum. He was a friend of the historian Tacitus and employed the biographer Suetonius in his staff. Pliny also came into contact with other well-known men of the period, including the philosophers Artemidorus and Euphrates during his time in Syria.

    QUINTILIAN (Marcus Fabius Quintilianus: c.35 - c.100 AD) Institutio Oratorio.
    Quintilian was a Roman rhetorician from Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing. In English translation, he is usually referred to as Quintilian, although the alternate spellings of Quintillian and Quinctilian are occasionally seen, the latter in older texts.


    SALLUST (Gaius Sallustius Crispus: 86-35 BC) Bellum Catilinae; Bellum Iugurthinum. 
    Sallust  was a Roman historian, politician, and novus homo from a provincial plebeian family. He was born at Amiternum in the country of the Sabines and was a popularis, opposer of the old Roman aristocracy throughout his career, and later a partisan o Julius Caesar. Sallust is the earliest known Roman historian with surviving works to his name, of which we have Catiline's War (about the conspiracy in 63 BC of L. Sergius Catilina), The Jugurthine War (about Rome's war against the Numidians from 111 to 105 BC), and the Histories (of which only fragments survive). Sallust was primarily influenced by the Greek historian Thucydides and amassed great (and ill-gotten) wealth from his governorship of Africa.

    SENECA (Lucius Annaeus Seneca: 4 BC-65 AD) Dialogi; 
    Epistolae Morales.
    Seneca was a Roman Stoic philosopherstatesmandramatist, and in one work humorist, of the Silver Age of Latin literature. He was tutor and later advisor to emperor Nero. He was forced to commit suicide for alleged complicity in the Pisonian conspiracy to assassinate Nero but he may have been innocent.

    SUETONIUS (Gaius Suetonius Tranquillus: c.69 - 122+ AD) The Twelve Caesars
    Suetonius  was a Roman historian belonging to the equestrian order who wrote during the early Imperial era of the Roman Empire.
    His most important surviving work is a set of biographies of twelve successive Roman rulers, from Julius Caesar to Domitian, entitled De Vita Caesarum. He recorded the earliest accounts of Julius Caesar's epileptic seizures. Other works by Suetonius concern the daily life of Rome, politics,oratory, and the lives of famous writers, including poets, historians, and grammarians. A few of these books have partially survived.


    TACITUS (Cornelius Tacitus: 57 - 117+ AD) Agricola ; Germania; Histories; the Annals.
    Tacitus was a senator and a historian of the Roman Empire. The surviving portions of his two major works—theAnnals and the Histories—examine the reigns of the Roman Emperors Tiberius, Claudius, Nero, and those who reigned in the Year of the Four Emperors (AD 69). These two works span the history of the Roman Empire from the death ofAugustus in AD 14 to the years of the First Jewish–Roman War in AD 70. There are substantial lacunae in the surviving texts, including a gap in the Annals that is four books long.
    Other writings by him discuss oratory (in dialogue format, see Dialogus de oratoribus), Germania (in De origine et situ Germanorum), and the life of his father-in-law, Agricola, the Roman general responsible for much of the Roman conquest of Britain, mainly focusing on his campaign in Britannia (De vita et moribus Iulii Agricolae).
    Tacitus is considered to be one of the greatest Roman historians. He lived in what has been called the Silver Age of Latin literature. He is known for the brevity and compactness of his Latin prose, as well as for his penetrating insights into the psychology of power politics.

    TERENCE (Publius Terentius Afer: c.195-159 BC) Andria; Mother-in-Law; Phormio. 
    Terence, was a playwright of the Roman Republic, of North African descent. His comedies were performed for the first time around 170–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. Terence apparently died young, probably in Greece or on his way back to Rome. All of the six plays Terence wrote have survived.


    VIRGIL (Publius Vergilius Maro: 70-19 BC) Eclogues; Georgics; the Aeneid.
    Virgil was a poet of the Augustan period. He is known for three major works of Latin literature, the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him.
    Virgil is traditionally ranked as one of Rome's greatest poets. His Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Modeled on Homer's Iliad and Odyssey, the Aeneid follows the Trojan refugee Aeneas as he struggles to fulfill his destiny and arrive on the shores of Italy—in Roman mythology the founding act of Rome. Virgil's work has had wide and deep influence on Western literature, most notably the Divine Comedy of Dante, in which Virgil appears as Dante's guide through hell and purgatory.